Time & Perspective
15-19 August 2022 / Monday – Friday / 10:00-16:00 / Amsterdam, NL
Lily Kiara draws from Skinner Releasing Technique (SRT)™, imagery, experiential anatomy & physiology, Biodynamic Craniosacral practice, poetry and improvisation.
How do we dance (live) through time? By oneself, in connection to each other, our environment, space? How do we perceive time as we are moving in relation and in context? How could we perceive time as beneficial and what can we do when it’s perceived as pressure? What choices and tools do we have to move within a particular present flow of time and what tools to play with changing, disrupting, allowing and directing from within? How do our choices affect our dances?
What are the dances we make in this time?
We’ll look at linear time and ‘time of consciousness’ (John Berger). Accuracy, layers, stillness, resonance, space of time, beginning, ending, time together. What different perspectives could different ways of moving through time offer?
“In reality we are always between two times: that of the body and that of consciousness.”John Berger, in: and our faces, our heart, brief as photos
ー changes through time | some participants of Summer Intensive 2019
Skinner Releasing Technique (SRT)™ supports the coming together of dance technique and the creative process simultaneously through the use of imagery, designed to enhance expansion and strength with efficiency and ease. Through practicing within different layers of consciousness, from eyes closed deeper in oneself (deeper imagery), in direct relation to space (movement studies), or in touch with another person (hands-on partner graphics), we can have different felt senses of time and how we live through time. Tuning in and expanding. Being still in place, moving with an image or being moved unexpectedly, slow or fast.
We’ll be making connections throughout the whole workshop between how it works in the dancing self and how we make dances with time as main area of attention.
Aligning with time through space. This. Here. Now. Instant dances. What is the dance asking of you now? Can you listen to what this is and know it instantly through the dancing self, through time? This also offers the possibility of ease: this moment contains and can reveal everything you need to know right now. We practice technically and compositionally so there is an availability and readiness in this moment, in the body and in reading the composition as it unfolds and is being created. We include the practise and generosity of witnessing, watching and being watched, seeing and being seen. How does being seen support and affect our dance?
Biodynamic Craniosacral therapy is a gentle form of bodywork that originates from Osteopathic practice. It holds that the health of the body is always present in the client. Connecting with the more subtle layers in the self, dynamic stillness and allowing are some aspects of its orientation that resonate with approaches in SRT.
Lily Kiara danced her first improvised solo performance on invitation of her dance teacher at the age of eight. She started her professional training at the School for New Dance Development in Amsterdam (1990-1994), at Bennington College and Movement Research in NYC. Further on, Skinner Releasing Technique (certified teacher since 2001), martial arts and training in instant composition with teachers such as Julyen Hamilton and Lisa Nelson have greatly influenced her work and evolving vision. The work of her late teacher Suprapto Suryodarmo, Amerta Movement continues to inspire her on numerous levels while practicing and performing in Indonesia. She has been making work for over 25 years.
In 2021 she graduated in London as a Biodynamic Craniosacral Therapist. Lily also is active as a folk singer-songwriter, solo and with her band The RIVER. Her new EP Roses (The New Orleans Sessions) releases in 2022 on ZIP Records.
Lily Kiara has been teaching classes and workshops in Skinner Releasing Technique and Creating (Instant) Dances, sometimes together with a musician or lighting designer. She has been teaching at independent studios, festivals, academies and art institutions throughout Europe, USA, Australia and Indonesia and also guides artists in their process of making their own work.
The Summer Intensive is being offered for the 20th year in 2022 and is intended for experienced dancers, movers, choreographers, mimers, actors, etc. so we can deepen and develop the work in the professional field. Experience can mean different things. If you are not sure but wish to join, please contact me through email. As it is an Intensive, it is not possible to come for single days.
15-19 August 2021 / Monday – Friday / 10:00 – 16:00
BAU Studio (directions below)
1018 AD Amsterdam
If you wish to join, please send a mail. Deadline for signing up is 24 July. It is helpful if you confirm in time by payment or by staying in touch about it, otherwise you loose your place or the workshop might be cancelled because i don’t know in time who is coming. If you are interested, please register in time and be clear about your participation and registration. It helps these independently set up workshops to be possible. It is very much appreciated! Thank you! Priority is given to participants who commit to coming for the whole workshop. Please send me a few lines of your previous experience. Details for further registration you can find below.
To make your registration complete, you can transfer €325 to the account below. If you cancel up until 10 days before the workshop, €60 administration costs will be kept. If you cancel after that, there can be no refund. You will receive a receipt on the first day. If the workshop is cancelled, you will get the full amount return. If you need other ways of payment, please let me know. If you just communicate about it in time, it is usually fine.
Account (please note the different name!):
IBAN: NL47 INGB 000 349 1465
Account name: A.M. Venendaal, Amsterdam, NL
1018 AD Amsterdam
From Amsterdam CS a 15 minute walk or bus 22 in direction of Indische Buurt. Out at Kadijksplein (2nd stop). Walk underneath the arch with ‘Entrepot-Dok’ on it. The building is then on the left.
BAU studio and Lily Kiara are not to be held responsible for any physical injury or damage or loss of possessions during the workshop.
“To see one must go beyond the imagination and for that one must stand absolutely still as though in the centre of a leap.”John Cage, in: Silence, Lectures and Writings